I started with volume/tone control boxes, then volume-only control boxes, and now it only seems natural to go the “purest” form: a simple 1/4″ input jack enclosure for the various pickups you might encounter. And if you’re like me, you no doubt have a dusty drawer full of them: Krivo, DeArmond, Stimer, Kent, and so on. Why do we do this? Who knows.
If you’re a jazz guitarist you’ve probably experienced this: a band member calls a tune, then casually looks over at you and asks, “got a little intro for this?”. In a matching casual tone you respond, “yeah, sure,” hiding the swift internal panic you are, no doubt, really feeling.
An “intro”? Now what? There’s an endless galaxy of possibility and now it’s your job to come up with a succinct, crystal-clear, improvised micro-composition before the band starts looking at their watches.
To be honest, I never really formally explored the matter until now. But having transcribed a few nice intros from the masters, I may have some suggestions on the business of starting a song.